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Among the few non-eroticized fictional gynoids include Rosie the Robot Maid from The Jetsons.
However, she still has some stereotypically feminine qualities, such as a matronly shape and a predisposition to cry.
The robot's creator, Clayton Bailey, a professor of art at California State University, Hayward called this "censorship" and "next to book burning." Artificial women have been a common trope in fiction and mythology since the writings of the ancient Greeks.
This has continued with modern fiction, particularly in the genre of science fiction.
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“Sweetheart”, shown with its creator, Clayton Bailey; the busty female robot (also a functional coffee maker) that created a controversy when it was displayed at the Lawrence Hall of Science at University of California, Berkeley Female robots as sexual devices have also appeared, with early constructions being crude.
Mc Auley's novel Fairyland (1995), and Lester del Rey's short story "Helen O'Loy" (1938), Examples include Hephaestus in the Iliad who created female servants of metal, and Ilmarinen in the Kalevala who created an artificial wife.The stereotypical role of wifedom has also been explored through use of gynoids.In The Stepford Wives, husbands are shown as desiring to restrict the independence of their wives, and obedient and stereotypical spouses are preferred.The first gynoid in film, the maschinenmensch ("machine-human"), also called "Parody", "Futura", "Robotrix", or the "Maria impersonator", in Fritz Lang's Metropolis is also an example: a femininely shaped robot is given skin so that she is not known to be a robot and successfully impersonates the imprisoned Maria and works convincingly as an exotic dancer.They fought in two multi-part episodes of the series: "Kill Oscar" and "Fembots in Las Vegas", and despite the feminine prefix, there were also male versions, including some designed to impersonate particular individuals for the purpose of infiltration.